摘要
通过对不忽木多元文化背景的解析,认为康里——基督文化、蒙古——草原文化、高丽——域外文化、中原——儒家文化是深入解读其文学文本的透视镜。在他的散曲中,辞朝与醉酒互动的过程呈现出作者内心的矛盾与文化的冲突,认为:文学作品是作者文化的投影,文学作品可以通过"主位"和"客位"的角度来解读。
This article analyses the multi - cultural background of Buhumu. It holds that Kangli - Christian culture, Mengo - herder culture, Gaoli - seaboard culture and inner region - Confucius culture are the obstacle of deeper interpretation for the literature. We can have a clear sight in Buhumu's writing: the contradictory and cultural conflict in the process of interaction between the retired and the drunk. The authors figure out that literarture can reflect the writers cuhural background, we should have a perspective for reading through the method of "emic" and "etic".
出处
《湖北民族学院学报(哲学社会科学版)》
2008年第4期74-78,117,共6页
Journal of Hubei Minzu University:Philosophy and Social Sciences
基金
新疆师范大学优秀青年教师科研启动基金项目"新疆古代宗教文化与民族演变关系研究"(XJAU200609)的阶段性成果之一。课题主持人:彭无情
课题组成员:宋新伟
刘振伟
阿依姑丽
刘明