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聚焦和反聚焦——《耻》中的视角、对话和叙述距离 被引量:11

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摘要 《耻》是一部叙事特征非常突出而又非常特别的小说。库切采取聚焦与反聚焦并行的叙事手法,在读者和聚焦人物卢里之间保持了一种时而审视、时而又跟随的微妙距离,造成一种反讽与同情兼而有之的效果。本文试图对这部第三人称聚焦的小说中叙述者如何调节对读者与人物之间的距离、对聚焦人物眼光中所反映的伦理考量加以揭示和分析。
作者 段枫
出处 《外国文学评论》 CSSCI 北大核心 2008年第3期85-94,共10页 Foreign Literature Review
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参考文献22

  • 1Anne Longmuir, "Coetzee's Disgrace," in The Explicator, 65. 2 (2007), p. 119.
  • 2Mike Marais, The Possibility of Ethical Action : J. M. Coetzee's Disgrace, in Scrutiny 25. 2 (2000), p. 58.
  • 3Mary Eagleton, Ethical Reading: The Problem of Alice Walker's Advancing Luna--and Ida B. Wells and J. M. Coetzee's Disgrace, in Feminist Theory 2 (2001), pp. 189-203, pp. 195-196, p. 193, p. 191, p. 194, p. 196.
  • 4Charles Sarvan, Disgrace : a Path to Grace, in World Literature Today 78. 1 (2004) : pp. 26 -290.
  • 5Mike Marais, The Possibility of Ethical Action: J. M. Coetzee's Disgrace, in Scrutiny 25, 2 (2000), p. 58.
  • 6Gayatri Chakravorty Spivak, "Ethics and Politics in Tagore, Coetzee, and Certain Scenes of Teaching," in Diacritics32. 3/4 (2002), p. 22, p. 22, p. 21, p. 22.
  • 7J. M. Coetzee,Disgrace, New York: Penguin Books, 1999.
  • 8库切.《耻》.张冲,郭整风译.南京:译林出版社,2002.
  • 9Michael Holland, " ' Plink - Plunk' , Unforgetting the Present in Coetzee's Disgrace," in Intervention 4. 3 (2002), p. 397.
  • 10J. M Coetzee, Into the Dark Chamber: the Writer and the South African State, in David Attwell ed. , Doubling the Point, Harvard UP, 1992: pp. 361 -368.

二级参考文献7

  • 1库切.《耻》.张冲,郭整风译.南京:译林出版社,2002.
  • 2德斯蒙德·图图 江红译 阎克文.《没有宽恕就没有未来》[M].上海文艺出版社,2002年..
  • 3德里达 杜小真编.《德里达中国讲演录》[M].中央编译出版社,2003..
  • 4库切 张冲 郭整风 译.耻[M].南京:译林出版社,2002.73-74,228,239,220.
  • 5Spivak G C.Can the subaltern speak[A].Marxism and the Interpretation of Culture[C].Urbana:Illinois UP,1988.174.
  • 6Sanders M.Truth,telling,questioning:the truth and reconciliation commission,Antji Krog's Country of my Skull,and literature after Apartheid[J].Modern Fiction Studies,2000,46(1):20.
  • 7德斯蒙德·图图 江红 译.没有宽恕就没有未来[M].上海:上海文艺出版社,2002.25.

共引文献22

引证文献11

二级引证文献9

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