多元嬗变 理性重建——20世纪90年代的中国电影美学

Multiple Changes and Reasonable Reconstructions——The Chinese Film Aesthetics in the 1990s

1990年代的中国影坛,承接着80年代末电影审美文化的嬗变,呈现出一派繁花似锦、多元发展和美学观念理性重塑的景象。其中既有中西美学碰撞下的思想影响,有市场经济渗入后的风格转型,也有主流电影和商业片的双重发展,还有新兴导演群体——"第六代"的崛起和高科技数码电影的颠复,从而构成一种深度感被削平、创新与浮躁兼存的活跃态势,对新世纪中国电影产生了重大影响。

Serving as a link to the change of the film aesthetic culture in the late 1980s, the Chinese film circle in the 1990s takes on a flourishing scene of the multiple changes and reasonable reconstructions of the aesthetic idea, such as the ideological influence under the collision between the Chinese and Western aesthetics, the style transition after the penetration of the market economy, the parallel development of the mainstream film and the commercial film, and the new director group the rising of the ＂sixth genera- tion＂ and the high-tech digital film. All these constitute an active tendency of less penetrating and more impetuousness, and produce a significant impact on the development of the＇ Chinese film in this century.