“草根”情节和“乡愁”意识折射出的断层社会

The Fault Society Reflected from the Grassroots Complex and Nostalgia

从贾樟柯导演的第一部长片电影《小武》开始,其作品多次在各大国际电影节上斩获大奖,这与他坚持以现实主义风格创作是分不开的。他始终用冷静的思维和镜头语言,关注边缘人物的命运,描绘着这个真实世界所发生的故事。文章深入分析其电影《世界》抽象的叙事空间所要揭示的内涵,指出在"草根"情节和"乡愁"意识下,人在寻找自我和社会归属的同时迷失方向,从而对社会产生一定的反作用力而导致了社会的"断层"。

Since Jia Zhangke＇s direction of the first long movie ＂Xiao Wu＂, his works has won many great prizes at each international film festival. It has much to do with his persisting the realism style in creation. He is always sober-minded and makes full use of the camera lens, paying attention to the destiny of the people at a borderline, describing the story occurs in real world. This article deeply analyzes the connotation that the abstract narrative space of his movie ＂World＂ tries to reveal. It pointes out that under the ＂grassroots complex＂ and the ＂nostalgia＂, people get lost while seeking for social attribution and themselves, thus creating certain reaction force leading the fault of the society.