摘要
在中国现代文学史中,虽然旧诗退出了正统文坛,但是并没有寿终正寝。旧诗不仅作为一种文化交际工具存在于人们的日常生活中,而且,作为潜在的批评标准和审美心理严重制约着新诗的发展。尤其值得注意的是,在中小学语文教学中,不重视新诗教育,阻碍了新诗的经典化过程,使得新诗的美学特质无法融入民族审美心理。
In the history of modem Chinese literature, Old Poetry did not die away from the world of formal literature. Old Poetry does not only exist as a cultural communication tool in people's daily life, but also as a potential criterion and aesthetic psychology, which has placed a restriction on the development of New Poetry. Particularly, the importance of New Poetry has been ignored in primary and secondary schools, which has hindered the process of the canonization of New Poetry and made the aesthetic factors of New Poetry not be integrated into national aesthetic psychology.
出处
《绵阳师范学院学报》
2008年第7期47-49,共3页
Journal of Mianyang Teachers' College
关键词
新诗
旧诗
审美心理
经典化
New Poetry
Old Poetry
aesthetic psychology
canonization