浅析报章语境中长篇小说结构的集锦化倾向

ON THE INCLINATION OF NOVEL STRUCTURE STYLE AS COLLECTING SPECIMENS

20世纪初,报刊业的发展改变了中国长篇小说的传播媒介、面世形态、接受语境与读者意识,并刺激了"虽云长篇,颇同短制"的集锦式小说的复兴与变革。但报章集锦式小说淡化了传统"楔子"的叙事功能,更新了叙述视角与叙述者身份,减少了小说人物的长距离跨越。同时,由于强化线性与团块状叙事,报章珠花式小说也具有了某种集锦化色彩。

In early twenty century, the development of journal changed a lot about novel, including the novel medium, the reading style and cultural background, the consciousness and feeling of both reader and creature as well. It also stimulated the reappearance and innovation of the novel structure as collecting specimens. But it had some different aspects, as weakening the narrative function of ＂qizi＂, changing the narrator＇s status, eliminating characters＇ span in novel. Furthermore, the novel structure style of beads flower also had this feature as it emphasizing describing in line and circular. All these embody that journal background and reader＇ consciousness had played important roll in the innovation of novel structure style.