南宋景物主体性描写的篇章化与词境的另一洞天

Another dwelling place of Independent Description of Scenery of Song Dynasty

在诗歌的发展进程中,人们先是对情与景的融合有了一定的理论认识,然后在创作实践中才转向作品内情与景的融合。而对作品内情与景融合的认识经过了一个景物的工具化、对象化、主体化三个阶段以及三者与其他各种手法兼容并包的相应变化不断深化发展、逐步完善、最终才走向成熟的过程。情与景的交融又恰在于主客间的彼此交融,景物的主体化使诗词意境中的情景交融成为可能,并使诗词的意境达到空灵蕴藉的高度。

In poetry development process, the people had certain theory on the fusion of feelings and scenery. Then people can use it in practice. People＇ understanding of the fusion of inner feelings of the works and scenery went though 3 stages before .it matured.