摘要
音乐美学研究中不能将音乐素养与音乐的创作者、欣赏者的道德水准简单化地统而论之。音乐修养与创作者和欣赏者的道德水准无关。音乐美是一种无形象、无概念、无观念指向的纯粹性的美,是对人类具有普遍意义的形式美。音乐具有高度的自律性,它不依附于观念的认同或者形象引起的联想而具有独立美学意义。音乐研究应该遵循音乐的本体特征,首先认识到音乐的形式美感。
Musical culture is unconcerned with the moral of creators and appreciators. The beauty of music is so pure that it is without vision, concept and notion, and that it is beauty of configuration universally. Music is absolute autonomic and is unnecessary to cling to identify with concept and association of vision. To follow the characteristics of musical ontology and cognize musical formalism is more important in musical study.
出处
《北京科技大学学报(社会科学版)》
2008年第2期71-76,共6页
Journal of University of Science and Technology Beijing(Social Sciences Edition)
关键词
音乐观念
形式美感
审美的普遍性
musical concept
beauty of formalism
aesthetic universality