摘要
本文在结构艺术的视阈下,透视福克纳的中篇小说《熊》中的第四章在全篇中的布局艺术,分析了拼贴艺术在《熊》中的运用。福克纳巧妙地把绘画艺术的元素移植于小说创作中,用文字创造出的异质性震动和刺激欣赏者,使小说含有强大的冲击力和断裂感,从而传达出作者对美国南方历史的深刻思考。
From the point of view of structural art, this article discusses the art form of William Faulkner＇s novel Bear by referring to the deployment of Section 4. Faulkner patterned his literary experiments on parallels drawn from planting and applied cubist technique of collage to his novel. The hegemonic form produced by literary words rather than planting elements causes the reader to ponder various kinds and degrees of artifice and creates the strongest possible impression and breaks. The device which underlines Faulkner＇ s idiosyncratic method of splicing fragmentation into his works injects profound significance into his novel and conveys his reflection on the history of Southern USA.
出处
《外语教学》
CSSCI
北大核心
2008年第5期81-85,共5页
Foreign Language Education
