摘要
为了探讨歌舞题材对汉画像石造型风格的影响,以歌舞题材为例,运用史料分析和图像分析的方法,对周秦以饕餮等原始宗教题材为主要内容的表现传统以及在画面结构上对传统纹样的连续性而产生的空间分割的规则性的解构所呈现出来的空间关系与艺术表现手法的新变化进行探讨,目的在于为魏晋以后中国艺术民族风格的形成理出一务不易被一般人所留意的文化根源。对当代艺术的继承与发展无疑具有一定的启示意义。
Art in the Han Dynasty was not only a climax of the development of the Chinese classical art before this dyrasty, but also had profound impact on the art alterwards. The dance theme widely spreads to the art area of stone relief, which has influenced and changed the simple relief skill in the Zhou and Qin period to a new kind of art form with strong rhythm. Furthermore, it has laid the cultural and psychological foundations of the new kind of art style in Wei and Jin period.Therefore, much research should be done on the image of the stone relief in the Han Dynasty together with its division. The emergency of the dance theme in this period plays an important role in the inheritance and the opening of the art style, as well as in the inheritance, creation, development of the traditional culture and art of the Chinese people.
出处
《西北大学学报(哲学社会科学版)》
CSSCI
北大核心
2008年第5期I0009-I0012,共4页
Journal of Northwest University:Philosophy and Social Sciences Edition
基金
陕西教育学院科研基金项目(07KJ29Y)
关键词
汉代
画像石
歌舞
艺术形式
Han Dynasty
stone relief
dance
art style