试析我国侦探小说的叙事方式

An Analysis of the Narrative Ways of Chinese Whodunit

我国侦探小说在经历了西方模式、前苏联模式之后,新时期的侦探小说无论在题材的选取上还是艺术的技巧乃至叙事的策略上都突破了过去那种创作主体意识狭窄、模式单一的状态,各自以独特的表现形式共同形成侦探小说文本的多元共存局面而真正进入反模式时期。叙事结构的复线行进、两种叙述角度的同时采用、侦探过程弱化、人物心理探微以及结尾的违反常情等超越传统的玄学侦探小说,颠覆了常规侦探小说的许多或全部规范。

Our country＇s whodunits have gone through the western and former Soviet Union models. Contemporary whodunits have broken through the state of narrow consciousness of creation subject and single model no matter from the choice of materials and artistic technique as well as the narrative strategy. They begin to enter the anti - patterns age through multivariate coexistence situation of who-dunit formed with their particular manifestation. The metaphysics whodunits with advance of complex line of narrative structure, the sim- ultaneous adoption of two narrative angles,the weakening of detective process, the exploration of character＇s psychology, as well as the ending against the grain have toppled over many or all standards of the conventional whodunits.