无法抵达的民间——论《红旗歌谣》的抒情主体性问题

On the Lyric Subject of Red Flag Ballads

在"大跃进"时期,特定权力意志的政治需要,决定了其对民歌的价值取向和功能定位,使得五四时期对民间歌谣天籁价值的学理研究,在《红旗歌谣》这本被称为"诗三百"的诗集中纯粹凸现为政治运作,由此造成了民间歌谣的本体偏离。《红旗歌谣》中,"民间"的意味丧失殆尽,从而导致了在此基础上的"民间想象"所表达的"大我"抒情主体性的虚幻。

During the Great Leap Period, authority and politics decide the value orientation and function of folk songs, which turns the theoretic study of folk songs during the May 4th period into some political operation on Red Flag Ballads, thus having led to the ontological deviation of folk ballads. In Red Flag Bal- lads, there is a separation between the folk song itself and its manifestation body as well as the loss of folk meanings. As a result, the subject of ＂great self＂ expressed by folk imagination is unreal.