巨人、顽童还是悒郁者?——论王小波小说的三重形象

On the Triple Image in Wang Xiaobo’s Novels

王小波的小说存在三重形象,一是巨人,二是顽童,三是悒郁者。"巨人"肉身强壮,充满创造力,而"顽童"则拥有黑色幽默的反讽,"悒郁者"则是现实时空中的压抑形象。这构成了中国文化悖论时空中"经典性格"的命运隐喻。这三重形象,在王小波的小说,也常统一为一个主体性人物:"王二"。王二身上,叙事者、隐含叙事者与人物出现趋同,同时,通过不同叙事层面的穿插互证,作者也不断颠覆作为"唯一真理性主体"的统治地位,用自由和理性来面对文化语境的悖论情境。

There are triple images in Wang Xiaobo＇ s novels： one is the giant, another is the naughty kid, and the third is the despondent person. The ＂giant＂ is strong-bodied and full of creativity, the naughty ＂kid＂ is distinguished by the irony of black humor while the ＂despondent person, is the suppressed image in reality, which constitutes a metaphor of fate for ＂the classical character＂ in the tempospatial paradox of Chinese culture. In Wang Xiaobo＇ s novels, the triple image is often unified in one principal character--- Wang Er, in the image of which the narrator, the implied narrator and the figure tend to be identical. Moreover, through the juxtaposition of different layers of narration, Wang Xiaobo has, in his novels, constantly subverted the dominating role of ＂the sole subject of truth＂, thus having faced Up to the paradox of cultural context by virtue of freedom and rationality.