摘要
《青春之歌》作为一部带有异质性色彩的"红色经典",其"经典"地位的确立主要得力于作者把主人公的精神和肉体完全纳入到了政治意识形态的框架内,虽然林道静的"成长"是框定在其时的主流意识话语之中的,但是,她并没有因此而获得作为一个"人"的主体性,相反,林道静的肉体与政治的结合,倒使得她因此而失掉了主体性。
As an exotic ＂revolutionary classic＂, The Song of Youth owes its ＂classicality＂ to the entire placement by the author of the heroine in the framework of the then political and ideological milieu. Although the ＂growth＂ of Lin Daojing, the heroine, is confined to the then mainstay discourse of consciousness, she has lost her subjectivity due to the integration between politics and her body instead of having acquired the subjectivity of a ＂ human being＂.
出处
《海南师范大学学报（社会科学版）》
2008年第3期100-103,110,共5页
Journal of Hainan Normal University(Social Sciences)
关键词
肉体
政治
主体性
the human body
politics
subjectivity
