摘要
"律吕式键盘"是东西方文明交汇融合的产物。从古代的"朴素趋匀"到朱载土育的《新法密律》,既是乐律趋匀认知结构从感性到理性的飞跃,又是中华乐律观念历史继承性从未断绝的明证。"律吕式键盘"的萌生,是这一历史继承性的又一表现。律吕式键盘的优势是:调观念简明,提高学习效率,减轻学习负担。有了这样的工具,乐理和键盘的教学程序可有较大的改革,练习量可以大大减少,练习时间可以大大节省,音乐的社会普及教育将能面貌一新。
Lu Lu pattern (six black keys and six white keys) keyboard is the outcome of the syncretism of Eastern and Western civilizations. From the ancient "Simple and Average" to ZHU Zai-yu's "Hsin Fa Mi Li (Twelve-tone Equal Temperament)" , it is not only a leap from Sensibility to Ration in terms of music temperament, but also a proof of that Chinese temperament concept historic continuity has never broken off. The burgeon of Lu Lu pattern keyboard is also the representation of such historic continuity. The advantage of "Lu Lu pattern keyboard" is: the concise concept of mode,increase the efficiency of study and reduce the burden in study.
出处
《星海音乐学院学报》
2008年第2期16-23,共8页
Journal of Xinghai Conservatory of Music
关键词
律吕式键盘钢琴
乐律
乐律观念
Lu Lu pattern (six black keys and six white keys) keyboard
Temperament
Concept of Music Temperament