摘要
普罗科菲耶夫所有的创作特征都能在早期作品中找到先兆。其早期钢琴小品创作的嘲讽特征,主要通过五个方面的作曲技法而得以表现:反常规的拍子及节奏手法;夸张的力度变化;多调性;三全音主导音型及三全音根音关系和弦对置;极端音区的使用。
Aura of all features could be found in Prokofiev' s Early work. The grotesque color in Prokdlev' s early piano pieces manifests in five aspects: teanpo and rhythm against regulation; exaggerate strength movement; polytonality; tri-tone leading tone and tri-tone root relatlon chord in opposed position; use of extreme register.
出处
《星海音乐学院学报》
2008年第3期50-52,85,共4页
Journal of Xinghai Conservatory of Music