摘要
古代话本插图的"上图下文"版式,与敦煌文书中的插图本佛经紧密关联,与其说渊源于把佛像或菩萨像捺印在写本上半层的《佛名经》等,不如说渊源于带有故事画插图的《观世音菩萨普门品》。从插图的构图形式(连环画式)、插图本的题名(如"全相"等)等方面来看,话本插图的渊源又与配合变文讲唱的变相图卷紧密相关。话本插图的出现,可能是来自多方面因素共同作用的结果。
The format of ancient Vernacular Novel Illustration, figure above words following, is closely connected with Buddhist literature illustration from Dunhuang Documents. It originated from the story picture illustration View World Sound Bodhisattva Pu Gate rather than originated from the image of Buddha or the Bodhisattva India that were pressed down firmly in the first half level of Manuscripts Buddha Name after and so on. Viewing from the illustration composition form (picture-and-story book type), the illustrated edition autograph (such as entire etc.) and so on, the Vernacular Novel Illustration also mantains a closed relationship with Bian Xiang which is combined with Bian Wen.The Vernacular Novel Illustration's appearance is possibly a result comes from the various factors.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2008年第5期34-39,共6页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
话本
插图
版式
上图下文
Vernacular Novel
Illustration
format
figure above words following