摘要
金圣叹有意用"画"评点《水浒传》有三个原因:文论与画论相通的文学批评史特点;接触的人物;才子观念。从更深的层次看,金圣叹用"画"点评《水浒传》源于其对"自我存在"的虚幻确认。
Firstly, the total discussed the significance of "paintings" and its development. Secondly, causes for JinShengtan' s using "paintings" on purpose to remark were analyzed: the convergence of literary theory and art theory in the history of literature critique ; the charicteristic of those people that Jin Shengtan had met; the influence of the "talents" notion. Thirdly, by exploring Jin Shengtan' s subconscious, the deep causes for his using "paintings" were further explored: his experience and observe into life; the contradiction between reality and ideal; the cognitive "uniformity " between his own life experience and "paintings" and "the Water Margin". Finally, a conclusion could be drawn: the cause for Jin Shengtan' s using "paintings'to remark was the cognitive aesthetic uniformity between "paintings", the Water Margin and himself.
出处
《菏泽学院学报》
2007年第4期72-77,140,共7页
Journal of Heze University
关键词
《水浒传》
金圣叹
理想
审美
同构
The Water Margin
Jin Shengtan
meaning, ideal
aesthetic
uniformity