摘要
艺术与"真、善、美"的关系,不是一个新话题。根据一般的认识,艺术具有真善美的特性,而托尔斯泰以其卓越的艺术大师的艺术经验否认艺术是"美"的表现;艺术表现善,但不及"善"本身。"善"这个概念在托尔斯泰那里就是上帝的化身,艺术只能趋近,但永远不达"善"本身。艺术之"真"是情感真挚。托尔斯泰对艺术"真"的理解,是建立在对艺术"美"的否定的逻辑之上。艺术不表现美,而表现善,"真"是艺术抵达"善"的途径。
It is not a new topic about the relationship of art and "true, virtue and beauty". According to the common knowing, true, virtue and beauty are characters of art. However Toncton who is a surpassing art master denied that art displays "beauty" by his art experiences. Art could display virtue, but it can't compare with "virtue". For Toncton, "virtue" is embodiment of God; art could approach to it, but can't reach it forever. The "true" of art is sincere passion. Toncton' s comprehension about virtue of art which is base on denied "beauty" of art. Art can't display beauty, but virtue; and "true" is the way to the"virtue".
出处
《吉林师范大学学报(人文社会科学版)》
2007年第4期53-56,共4页
Journal Of Jilin Normal University:Humanities & Social Science Edition
关键词
艺术
美
善
真挚
art
beauty
virtue
beauty