摘要
李锐的《旧址》中呈现出的苦难意识和西方现代派文学有着某种内在的一致性,即把苦难当作一种本体意义上的生存境界来加以感受和表现,并成为小说创作中表现的主题。《旧址》以碎片式的叙事方式,以李氏家族在大革命时期和"文革"时期所遭受的生死苦难作为一个窗口,进一步揭示出人类生存共同面临的困顿局面以及作家对生命本真状态的思考。
The consciousness of hardship shown in Li Rui' s novel, Jiu Zhi has some intrinsic similarities with modem western literature, i.e. feeling and displaying hardship as an existing state of self significance and becoming a theme in creating novels. Furthermore, this novel reveals the hardships that human beings face and the writer' s thinking about the real state of life. In the novel the author uses a fragmental narrative of the hardship of life and death his family experienced during the Great Revolution and "the Culture Revolution. "
出处
《平顶山学院学报》
2007年第6期78-81,共4页
Journal of Pingdingshan University
关键词
家族苦难
死亡
“文革”追问
碎片叙事
the family ' s hardship
death
questioning "the Cultural Revolution"
the fragmental narration