摘要
川剧艺术中独特的身体文化在于身体对"程式"的突破,通过意识层面(变形,杂技)和潜意识层面(梦游与历死)实现。而身体对"程式"的超越精神则来源于巴蜀文化的反叛性格。
The body culture unique to Sichuan opera lies in the body' s breach of the conventions of Sichuan opera. This breach is executed on both the conscious plane (acrobatics) and the subconscious plane (sleep walking and death experiencing) . The body' s breach of and transcendence over the conventions of the theatrical genre is energized by the rebellious nature of Bashu culture.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2008年第3期49-54,共6页
Drama:The Journal of the Central Academy of Drama
关键词
川剧
“程式”
身体
巴蜀文化
Sichuan Opera, conventions, body, Bashu culture