挹之无尽的幽韵冷香——试论姜夔的词学观

The Literature Ideas of Ci by Jiang Kui

姜夔作为南宋词坛一大家,诗词兼擅,虽无专门的词论专著传世,但他在词的创作上以其诗学观为指导,具有高超的艺术成就,体现了其独有的艺术审美理想和文艺追求。姜夔的词学观体现在:精思高妙、幽韵无尽的审美追求;沉郁温厚、高格雅调的艺术风貌;协律填词的词乐观与诗法入词的词作观;穷尽野处,陶写寂寞的文化性格。姜夔词的创作虽未能如其所愿完全实现其艺术理想,但其创作观念中的真知灼见和思想火花仍值得我们去不断挖掘和总结。

Although without handing any monograph about the＇theory of Ci down, Jiang Kui, a great famous poet of the South Song Dynasty who was good at both the poems and Ci, has made great achievements in his artistic creation of Ci which guided by the thought of poems of his own and showed his unique aesthetic ideal and pursuit. Generally, the literature theory of Ci by Jiang Kui reflected in the aesthetic pursuit with subtle flavor, deep and elegant in artistic style, thought of Ci - Music based on the lyric with melody and of Ci relied on poetry techniques, and cultural nature expressing loneliness. The insights and thought sparks of Jiang＇ s creative ideas are still for us worth exploring constantly though his artistic ideals in Ci can not to be realized completely as he wanted.