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不仅仅是游戏:艾什诺兹与《弹钢琴》

Not Only Playing Games:Jean Echenoz and Au Piano
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摘要 艾什诺兹是法国当代文坛的佼佼者,作品获过许多奖项。他把小说比作一架发动机,作家要制造故障让它发生偏移。他创作前期借用各种传统文学体裁,与其规范进行游戏。《弹钢琴》是他彻底放弃体裁游戏的第一部小说,他以一个幻想的题材、幽灵的故事表现生活在现代世界的现代人的可悲命运,但他一贯的讽刺、幽默不断打破小说的悲剧性,而一些积淀了历史、文化的地名也增添了小说的怀旧气息。 Jean Echenoz, winner of many awards, is one of the most important writers in contemporary French literary world. In his earlier stage, he created works making use of all types of conventional literature styles, playing games with their rules. Au Piano is his first novel after he gave up his game-playing style, in which he depicts the sad destiny of people living in the modern world by a ghost story of fantasy. However, his characteristic satire and humor keep undercutting the tragedy of the novel, while some names of places with historical and cultural implications give the novel a strong sense of nostalgia.
作者 由权
出处 《外国文学》 CSSCI 北大核心 2008年第5期15-21,共7页 Foreign Literature
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参考文献11

  • 1Echenoz, Jean. "Il se passe quelque chose avec le jazz", entretien avec Olivier Bessard-Banquy, Europe, 820-821 (1997):191-200.
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