谢赫六法中的“气韵生动”与“骨法用笔”新解

New Understanding of "Vivid Rhythm" and the "Bone-liked Style of Drawing",Two of Xie He's Six Principles in Painting

南齐谢赫在《画品》所创发的"六法精论",实乃我国古代绘画经验的系统总结,奠定了我国美术思想发展史上极其重要的理论基石;尤其是六法中的"气韵生动"与"骨法用笔",一直是中国绘画的根本追求,它概括了绘画的普遍规律,具有"俯遗则于来叶"、"历千载而不移"的理论价值。但历代论者由于受到他们各自时代审美旨趣、风习宗尚的影响,在对"六法"的阐释中,舛误颇多,往往羼杂进许多与"六法"的本旨渺不相干的意见。基于此,我们必须从学理上对其进行"语境还原",以期得"秉笔人之本意",惟其如此,方能正确认识中国画的特质与精髓,并在当代的绘画实践中进行有价值的艺术建构。

The six principles in ＂Hua Pin＂ by Xie He in Nan Qi Period are the systematic summary of Chinese ancient painting, laying an important theoretic base in Chinese fine arts history. The ＂vivid rhythm＂ and the ＂ Bone - liked Style of Drawing＂ of the six principles have been the fundamental pursuance in Chinese painting. The two principles summarize the general laws of painting. But the theorists of the successive dynasties have made a lot of mistakes in explanation of the ＂ six principles＂ out of their own time＇s aesthetic standards and added some irrelevant opinions. So we must correct their mistakes and return the six prin- ciples to its original fact.