摘要
谢英俊的建筑作为,"客家建筑"与"协力造屋"分别是两个主轴线。二者的发展,除了对构造、材料等基本原则共通之外,基本上各行其是,但到了后期作品,尤其是"六堆客家文化园区",可以见到相互间的对话出现,或说是追求的价值,有合而为一的趋势,也是文章意图作探讨与分析处。
‘Hakka Architecture' and ‘Co-operative Construction' are two main directions for Hsieh Ying-Chun's architectura development, They are quite separated from each other in terms of their own intentions from the very beginning. At the same time both follow the same principle about construction methods and material applications, Until recently especially in ‘Liu-Dui Hakka Cultural Park', we can see a dialogue between the two directions start to lead to a common goal in the end and this is what this paper intends to discuss.
出处
《时代建筑》
2008年第5期110-113,共4页
Time + Architecture
关键词
客家
协力造屋
文化
现代性
Hakka
Co-operativeConstruction
Culture
Modernity