摘要
悲剧在审美对象中有其重要的地位。苗族爱情悲剧在客观上具有悲剧的审美性质,与其它文学作品一样,进入人们的审美领域,是作为反映形态的悲剧艺术,才经常成为审美对象而引起人们审美愉快的。在苗族的爱情悲剧中,美的东西总是与丑的东西在比较中存在,于斗争中发展的。
Tragedy has important position in aesthetic object. Miao nationality' s love tragedies, as same as other literature works, are tragic art of revealing morphology and become aesthetic object which cause people's aesthetic pleasure. In Miao nationality' s love tragedies, the good always exist in comparison with the evil and develop in struggle.
出处
《贵州警官职业学院学报》
2008年第4期126-128,共3页
Journal of Guizhou Police Officer Vocational College
关键词
悲剧美
苗族爱情悲剧
悲剧艺术
tragic beauty
Miao nationality' s love tragedy
tragic art