期刊文献+

清人张问陶诗学理论及创作观照

Literati Zhang Wentao in the Qing Dynasty:His Poetic Theory and Literary Practice
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摘要 清人张问陶虽没有专门的诗学著作,其诗学见解却广见于他的诗作中。尽管张问陶的诗学理论与清性灵派代表人物袁枚的"性灵说"确有相通之处,但又不尽相同,涉及到创作主体、诗歌本体、审美对象等多方面而自成体系,在清人诗论史上应占有重要地位。由此而观照其创作,亦足以卓然称名家。 Zhang Wentao has no particular work for poetic theory, yet his understanding and interpretation of poetry are manifested in his considerable poetic works. Zhang' s theory has similar aspects with the "xinglirtg notion" of Yuan Mei, the representative of the Xingling School (a literary school advocating people's spirit, personality and emotion), but they are different in aspects concerning the subject of literary creation, the poetic existence, and the object of aesthetics. Zhang' s theory and practice should have been considered as significant in the poetic criticism in the Qing Dynasty. Meanwhile, his poetic writing is also quite famous among his contemporaries.
出处 《复旦学报(社会科学版)》 CSSCI 北大核心 2008年第5期122-130,共9页 Fudan Journal(Social Sciences)
关键词 张问陶 诗学理论 创作实践 文学地位 文化观照 Zhang Wentao poetic theory literary practice position in literary history cultural review
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参考文献3

  • 1张问陶.《船山诗草》.北京:中华书局,1986年.
  • 2徐世昌.《晚晴簃诗汇》第三册.北京:中国书店,1989年.第129页.
  • 3钱仲联.《陈衍诗论合集》,福州:福建人民出版社,1999年.

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