摘要
民国《良友》画报是建构上海街头文化的印刷文本。编辑者采用平民化的传播技巧,尽力捕捉中下层市民及乡下人的街头生活图景,以故事的叙说方式和图文的双重表述体现媒介的民间立场和大众话语趋向,建构了在上海都市文化语境下的乡村图像和市民文化景观,典型地折射出编者在上海现代性背景下的媒介伦理及其精神焦虑。
The Companion Pictoria was a kind of presswork which was to build the street culture in Shanghai in Republic of China. The compiler adopted civilian communicating skills to catch the view of street life on citizens at medium and lower levels and countrymen at full steam. It embodied the nongovernmental standpoint of the medium and the trend of the masses by a dual presentation of narrations and illustrations. It also constructed the rural image and the citizens' cultural scenery in the urban cultural context of Shanghai and refelected typically the editor's media ethics and spiritual anxiety against its modem background.
出处
《湖南师范大学社会科学学报》
CSSCI
北大核心
2008年第5期133-137,共5页
Journal of Social Science of Hunan Normal University
基金
湖南省教育厅课题"民国时期<良友>画报与上海都市文化研究"成果之一(07C611)
关键词
良友画报
图像
街头文化
比较传播
The Companion Pictoria
image
street culture
comparative communication