论“虚实”在魏晋六朝的发展及与文学创作的互动关系

On a Study of the Development of the Category of Subjectivity and Objectivity During the Wei-Jin and Six Dynasties Period,and the Interactive Relation Between It and the Literature Creation of that Era

中国古代文论中的"虚实"范畴源自老庄论"有无",在魏晋六朝时期经玄学之争实现了由哲学、美学领域向文学和艺术领域的重大转化,并在玄学思潮、言意之争、人物品评和文学创作等共同构筑的场域中,内涵日益丰富起来。魏晋六朝时期的文学实践为"虚实"含义的演进提供了肥沃的土壤,本文在论及"虚实"在魏晋六朝时期的发展面貌后,以刘勰"隐秀"说与当时"永明"诗风为个案,透视"虚实"发展与文学创作的互动关系。

In the history of Chinese literary criticism, the category of subjectivity and objectivity is originated from the theory of ＂Have（You）＂ and ＂Have-not（Wu）＂ from Lao Zi and Zhuang Zi. During the period of Wei-Jin and the Six Dynasties, after the argument of metaphysics, its meaning turned from philosophy field and the aesthetics field to literature and art world. Its connotation enriched gradually under the help of the Metaphysics trend of thought, the debate of language and meaning, and the literature creation, and provided fertile soil to this category. After talking about its develop- ment, this paper will take the relation between Liu Xie＇s ＂Yin-xiu ＂theory and ＂Yong-ming＂ poem style as a case, to find the interactive relation between its development with literary creation.