对“中国后现代小说”的辨析

On the Chinese Post-Modern Novels

文中由对中国的后现代批评话语的质疑引发,指出运用后现代话语之前应首先厘清话语成立的前提。立足于中国当代小说的创作,文中从以下几方面展开考察:为创作命名的难度、作家地位及创作意识的变化、读者接受的转变、作品的流通机制。在对中国当代小说进行后现代阐释时,应认识到进行文化批评时语境化的重要性。

Questioning the criticism discourse of the Chinese post-modern novels, this paper points out that the prerequisite for a sound discourse must be cleared before the post-modern discourse is applied. This paper focuses on the creation of Chinese contemporary novels and analyses problems as follows： the difficulty in naming the works, the status of the writer, the change to their idea of creation, the transformation of reader reception and the circulation of the works. This author believes that in the post-modern interpretation of Chinese contemporary novels, the works created in the 1990s should be differentiated from those created by the pioneers in the 1980s and the writers who became famous in the 1980s and who are still active in the literary world so as to show the importance of the contextualization in literary criticism.