摘要
我们称《小豆棚》为仿聊斋之做,并不是说曾氏没有自己的创新,他在借鉴聊斋发泄与蒲公类似情感的同时,又竭力突破聊斋体的束缚。曾氏力图在遵从聊斋文类的基础上形成自己的独特风格,他广泛地从前人作品、民间故事中收集素材,对蒲公的鬼狐世界进行了创造性的改造,实现了士人传统和民间传统的完美结合,铸造出一种崭新的审美风尚和艺术趣味,使之更好地表现出了自己的意图。
Xiao Dou Peng is considered a work imitating Liaozhai. However, it has its own creation in that it tries to break the restriction of Liaozhai style while using Liaozhai to release the similar emotion. Zeng strove to form his unique style on the basis of following Liaozhai style. He collected materials widely from previous works and folktales to make a creative reconstruction of Pu Songling's ghost world, thus achieving a perfect combination of scholar tradition and folk tradition and creating a new aesthetic fashion and artistic interest. This way he brought his own intention to a better presentation.
出处
《淄博师专学报》
2008年第3期3-8,共6页
Journal of Zibo Normal College
关键词
显性意图
采
士人传统
民间传统
explicit intention
collect
scholar tradition
folk tradition