毛泽东与当代中国戏剧发展的方向

The Development Direction of Chinese Opera in Contemporary Era with Mao Tse-tung

中国戏剧历经八百余年,传承悠久,是中国传统艺术的重要组成部分,它集唱、念、做、打和叙事为一体,又有群体表演和群体观赏的便利和锣鼓喧天的热闹气氛,从而成为比诗词歌赋和小说更为大众化的艺术形式。中国戏剧舞台的表演,有"东方芭蕾"之称。它的形式化、程式化、虚拟性、象征性和表现性等艺术特征,集中体现了中国传统的艺术精神和美学风格,也更吻合毛泽东艺术欣赏旨趣。毛泽东的戏剧思想是毛泽东文艺思想的瑰宝,也是毛泽东思想的重要组成部分,其中戏剧立场上的人民性、戏剧风格上的多样性、戏剧内容上的创新性、戏剧形式上的民族性,是其戏剧思想的突出特点,为我国戏剧的繁荣和发展指明了方向。

Chinese Opera is important constituent part of Chinese traditional culture. It has been experiencede more than eight hundred years. Chinese Opera combines speaking, performance, singing and narrative in one. It also have the convenience of performance and watching in groups, the busy atmosphere of shivaree. So, better than verses and novels, Chinese Opera becomes the most popular artistic form. The stage performance of Chinese Opera has the names of Oriental ballet. The art chararcters of formalization, programming, suppositionality and symbolic, are concentrated expression of Chinese traditional artistic spirits and aesthetics. And aslo, these are in line with the artistic appreciation objective of Mao Zedong. Mao＇s drama thought is the treasures of Mao＇s literary thought, and either for Mao Zedong Thought. The outstanding feature of Mao＇s drama thought are national character, multiformity and innovativeness. Thesse piont out the development direction of Chinese Opera.