摘要
钢琴伴奏与歌唱是人声与琴声的结合,又是演奏者与歌唱者的密切配合,特别是钢琴伴奏的双重身份,在很大程度上对演唱者起到了制约的作用。钢琴伴奏不仅要有较高的演奏技术,还需要熟悉声乐表演艺术的特殊性,以及对声乐艺术的其它相关因素的体验和掌控。钢琴伴奏赋予演唱者的不仅仅是音乐、节奏、音高,更多的应该是舞台表现和交流,以及无穷的表现力和创造力,二者的相成才能更好地诠释声乐作品。
Piano accompaniment and singing involve not only the unification of instrumental and human sounds but also the cooperation between the player and the singer. The dual roles of the piano in playing ( i.e., both as an independent instrument and as the accompanist) may affect the singer's performance to a large extent. Therefore in piano accompaniment the player needs not only perfect skills of playing, but also the familiarity with the distinctive features of the performing art of vocal music, as well as the experience and command of other factors related to the art of vocal music. Piano accompaniment offers the singer not only the melody, rhythm and pitch, but, more importantly, the theatrical effect and the perfect exchange between the piano player and the singer, as well as the infinite expressiveness and creativity induced thereby. Only through the mutual complementation of the two can a musical piece be better interpreted.
出处
《浙江师范大学学报(社会科学版)》
2008年第5期118-120,共3页
Journal of Zhejiang Normal University(Social Sciences)
关键词
钢琴
歌唱
情感
伴奏
piano
singing
emotion
accompaniment