摘要
苏氏"寂感"说分为体用、动静、性情三个层面,强调主体修为由思而至于无思、"入神"以致用;物我交相感应以至于"忘";性发为情而最终复于性。苏氏"寂感"说是苏轼等人文学思想的哲学基础,一方面影响其文艺思维方式,体现为对创作主体自身修养的重视,要求尽物之妙、随物赋形,达到"入神"境界;一方面影响其艺术风格,追求由绚烂之极回归平淡。
The literati leaded by Sushi put forward their solitude and sense theory which includes three closely related parts recognized as body and function, action and motionless and nature and emotion. They emphasize that man should become spiritualized and put into use after the process from conscious to consciousness, and human beings should make interactions with the outside conditions. They hold that emotion comes from one' s nature and goes back to the nature at last. This theory is the philosophical base of their literature and artistic thought. It influenced not only their artistic thinking models, but also their choice of styles. They advocate that an artist making progresses should be very familiar with what he will express, reaching the highest level of artistic or literary attainments, and then his style would change from gorgeousness to ease and plainness.
出处
《大连大学学报》
2008年第5期55-59,共5页
Journal of Dalian University
基金
教育部人文社会科学青年基金项目(07JC751003)
江西省社科规划学科共建项目(07WX209)成果
关键词
寂感
入神
复性
忘
solitude and sense
reaching the highest level of attainments
turning back to nature
dismission from one's mind.