摘要
苏轼的诗学思想和书法理论在内在精神与创作观念上表现出互通性,"尚意"、"神似"、"无法"、"自然"是其文学艺术思想的重要内容,并作为文艺作品的品评标准。这种互通性可以从宋代社会文化背景和苏轼人生经历两个方面得到阐释。
The Su - Shi＇ s verse theory and the calligraphy theory are closely related in inner spirit and creation concepts. The ＂aspiration to artistic conception＂ ,＂ similarity in spirit＂, ＂no rule＂ and ＂naturalness＂ are four important aspects of his thoughts of literary and art and used as the evaluation standards of literary and art works. This interlinkedness can be explained from the social and cultural background of the Song Dynasty and Su -Shi＇s life experience.
出处
《大连大学学报》
2008年第5期89-93,共5页
Journal of Dalian University
关键词
苏轼
诗学思想
书法理论
互通
Su Shi
verse theory
calligraphy theory
interlinked
