摘要
脱胎于宗教造像样式的泉州木偶,呈现出"雍容丰腴、神韵含蓄"的艺术品格,其造型在近代以江加走为代表的木偶雕刻大师的努力创新之下,最终形成了具有闽南趣味的地域风格。
Traditional Quanzhou puppet sculpture showing a＂grace and elegant＂ character, because it has inherited the religion statue pattern. Then it ultimately forms a Minnan style by the Puppet carving artists＇ innovation in modern time,Especially by Jiang jia-zou.
出处
《泉州师范学院学报》
2008年第5期42-45,共4页
Journal of Quanzhou Normal University
关键词
泉州木偶造型
宗教造像
江加走
闽南风格
Quanzhou puppet modeling
Religious statues
Jiang Jia-zou
Minnan style
