摘要
从接受美学的角度立论,指出读者在审视扁平人物和圆形人物的时候,由于具有格式塔的完形—简约心理,在心理动力场的作用下以审美中介即结构人物为参照系,使它们原有的审美价值发生动态心理转换,使人物固有的审美价值在文本外增殖。两类人物同读者审美心理上的追求形成"异质同构"关系,这体现了人性中两个不同层面并非孤立的本质,性格在文本外的模糊化使两类人物具有永久的艺术魅力。
The characters in literary works can be divided into flat and round figures. Due to the Gestalt cloze and simplification, readers'aesthetic understanding of characters in literary works may be transformed under the circumstances of various psychological fields. Thus, flat and round figures may overlap on some occasions. This is what is called fuzzy beauty in literary creations.
关键词
格式塔
结构人物
审美价值转换
意义生成
Gestalt
structure characters
transformation of aesthetic understanding
significance formation