摘要
路翎与尼采思想有着全面而深刻的精神联系,这种联系在其代表作《财主底儿女们》里得到集中鲜明的体现。在这部作品的创作上,作者以具有很强主观性的"倾吐"冲动,通过蒋少祖、蒋纯祖两个主人公形象,表达了与尼采思想相通的生命立场。注意到路翎与尼采深广的精神联系,充分重视作者的"倾吐"在整个作品艺术构成上的突出地位,把作品的人物和叙述语言更多地放在生命哲学的语义空间里,可能更切合路翎创造的艺术世界。
Luling and Nietzsche ' s ideologies have a profound and comprehensive relationship in spirit, which is demonstrated evidently in his representative works The Children of a Moneybags. In the creation of this works, with a great impulse to confide openly and subjectively, the author expressed the same vital standpoint as Nietzsche through the description of the two dramatis personae, Jiang shaozhu and Jiangchunzhu. Paying more attention to the profound spirit relationship of Luling and Nietzsche' s ideologies, making fully account of the outstanding status of "pouring out" in the whole artistic structures, putting the characters and depiction language in the lexeme space of vital philosophy, would be more appropriate for the artistic world created by Luling.
出处
《韩山师范学院学报》
2008年第4期39-43,52,共6页
Journal of Hanshan Normal University