场景化与抒情性——刘春的当代诗歌批评

A Discussion on Liu Chun’s Contemporary Verse Criticism

"70后"代表诗人刘春同时还是一位诗评家,近些年他逐渐展现出一个诗人对当代新诗史的个人化叙述。这种个人化首先体现为他在叙述新诗史时力图使历史"场景化",试图使人"回到"历史场景之中理解当代诗歌;其次是他始终坚持诗的抒情品性,以个人的感受谈论当代诗坛的"人与诗"、"词与物",使当代诗歌批评具有一种"原生态"特色。

A representative poet of the ＂post-1970s generation＂ and a verse critic himself, Liu Chun has, in recent years, gradually recounted the contemporary verse history in an individualized manner. The individualized narration of such a sort is manifest, first of all, in his effort to place history in a certain context in his recount of new verse history so as to ensure the comprehension of contemporary verse in the context of history, and secondly, in his persistent adherence to the lyrical essence of verse and in his narration of the relationship between ＂man and verse＂ as well as between ＂diction and objects＂ in the modem verse arena in the perspective of his personal feeling, which has injected into contemporary verse criticism a feature of ＂orimarv genuineness.