从乡愁到抗争——鲁迅小说中月亮意象的传承与超越

From Nostalgia to Opposition——the Inheritance and Surpassing of the Imago of the Moon in Novels of Lu Xun

鲁迅小说集《呐喊》和《彷徨》中的月亮意象,表现出对传统的连接与承续、创变与超越。通过月亮传达乡愁和孤独的意蕴,将乡愁和孤独由个人推广到民族和国家,附上民族忧思的色彩;在月亮意象上融注作者独特的审美情感和理想,使人物与月亮具有某种互补性和同构性,从而折射出正直、执著的抗争者形象。

In his novel collections Call to Arms and Wandering, Lu Xun expresses not only its inheritance of the tradition but also the innovation and surpassing of tradition. By communicating the implication of nostalgia and loneliness through the moon, he extends theses personal feelings to the extent of the whole nation or country. In addition, his concerns for the nation integrated with his unique aesthetic ideas and feelings constitute complementarity and isomorphism between the moon and the characters in the novel. Therefore, the image of an integrated, persistent fighter is presented to the readers.