摘要
贾平凹近三十年的写作生涯里,乡村文化是他最主要的写作资源。多少年来始终是一位"在路上"的作家,在从乡村走向城市的漫长道路上。虽然贾平凹较早地走进了城市,但他走进城市时把心遗留在了乡村,只要他的身心相异的状态没有改变,他的精神实际上就仍处于"在路上"的流浪状态中。从庄之蝶到刘高兴的变化,也暗含着作者本人面对城市的思想变化和情感变化。是从乡村旧文人形象到底层农民工形象的变化,这就意味着贾平凹对乡村精神的体认发生了从精英到民间的变化。
In JIA Ping-wa's 30 years of writing career, rural culture remains the sources of his creation. For all these years he is always a writer "on the road" from countryside to city. Although he moved into city long time ago, he has never lost his memories and feelings for the countryside. This psychic and physical divergence has made him a vagrant "on the road". The evolution of his characters from ZHUANG Zhi-die to LIU Gao-xing delicately embodies the change of his attitude towards city, both ideologically and emotionally. The change of his protagnists from an old-type country scholar to a migrant worker at the bottom of society suggests a shift in his identification with the countryside from elite to common people.
出处
《兰州大学学报(社会科学版)》
CSSCI
北大核心
2008年第5期27-30,共4页
Journal of Lanzhou University(Social Sciences)
关键词
贾平凹
庄之蝶
刘高兴
JIA Ping-wa
ZHUANG Zhi-die
LIU Gao-xing