摘要
一个民族所具有的时空观念,反映着该民族所走过的历史,也反映着该民族曾经迁徙或定居的地域环境等,探索各民族所形成的时空观念对了解这个民族的历史发展过程有着重要的意义,也对认识这个民族的艺术发展过程提供了一条途径。文章从蒙古族古代文化艺术思想的朴素唯物论世界观中追根溯源蒙古族文化艺术时空观的形成,并从呼麦"潮尔"现象中的时空观分析长调调式观念形成的原因,最终阐释长调民歌音乐风格的形成。
The writer believed that the conception of space time in the nationality have reflected its history, and meanwhile showed the areas with circumstances its resident and been migrations. It is significance to understand the Tribes historical development by exploring its conception of space time. The paper discussed the processing of inner Mongolia curtural art conception of space time, analyzed the reason to forming modes of long tune, and explained the music style of folk song with long tune in the end.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2008年第4期39-43,68,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
时空观
蒙古族长调
调式观念
音乐风格
conception of space time, Long Tune free-rhythm Songs in inner Mongolia, idea of modes, music style