诗与思的搏斗:一个诗人的诗学——毛翰论之一

A struggle between poems and thought:the poetics of a poet -first essay on Mao Han

毛翰是极具个性的诗人,也是不同流俗的诗歌评论家、选家。他的诗情思优雅、语象典丽,可诵可歌,有别于当今诗坛时尚。他的批评锋芒既指向曾经流行的假大空的政治抒情诗,也指向正在流行的晦暗怪异自绝于读者的所谓先锋诗。其诗歌创作与诗歌批评互为印证,相得益彰。他倡导"中锋诗",但这个诗学理想一定要建立在重建我们的文学主体性的基础之上。

Mao Han is not only a poet with distinctive personalities, but also a distinctive poetic critic and editor. Featuring elegant emotions and beautiful dictions and favorable allusions, his poems, different from those in the tide, are fit for both reading and chanting. His criticisms target not only at those once -popular vacant political lyrics, but also the so-called obscure and eccentric pioneering poems which enjoy the current popularity with scant readers. In this sense, his poems and criticisms highlight each other. His advocating of ＂moderate poems＂ should be based on the re-establishment of our subjectivity in literature.