“诗界革命”与二十世纪革命诗歌起源

"Poetic Revolution" and Sources of the 20th Century poetry of China

梁启超的"诗界革命"将"革命"一词带入诗歌领域,开启了中国二十世纪诗歌中的革命话语之源。此后的诗歌革命和革命诗歌的内涵外延的变化及其所取得的成就和局限,都可以在梁氏的诗学理论中找到源头。在"诗界革命"口号的提出、展开、总结过程中,社会政治的要求直接进入到诗歌当中,凌驾于诗歌之上,制约了诗歌美学的开掘。重新审视"诗界革命"理论的滥觞与流荡,对于二十世纪诗歌发展及诗歌美学的学术研究具有重要的借鉴作用,也有助于厘清当代纷乱的革命诗歌话语理论。

Ever since Liang Qichao＇s ＂Poetic Revolution＂ brought the term ＂revolution＂ into the poetic field and opened sources for the revolutionary discourse in the 20th century Chinese poetry, both the connotative and denotative changes of poetic revolution and revolutionary poetry and their achievements and limitations have found sources in Liang＇s poetic theories. With the slogan Of ＂Poetic Revolution＂ being proposed, developed and concluded, the need of social politics directly merged into poems and outmatched them, restricting the exploration of poetic aesthetics. The reexamination of the excess and evolvement of theory of ＂Poetic Revolution＂ in this paper benefits not only the development of the 20th century poetry and the academic research of poetic aesthetics, but also the clarification of the chaos of the contemporary theories of revolutionary poetic discourses.