摘要
当代的学者们一般根据《切韵》中的押韵规则来推导古代诗歌的押韵规律,认为相同的声调以及相同的元音及韵尾是押韵的必要条件。但是将这一原则运用到上古诗歌中时,就会遇到异调通押等难以解释的问题。实际上,上古时期并没有产生声调,异调通押只是一种正在进行中的离散式音变,是一种不同韵尾的互协现象。
Contemporary scholars generally derive the rhythm rule of ancient poetry by the yun's rules, and they think the same tone and the same vowel are necessary conditions for rhyme. However, this principle will be applied to ancient poetry, will encounter different tune - encumbered, and so difficult to explain the issue. In fact, in the ancient period there was not tone. Phase differences remand is only a discrete sound change in progress , and a phenomenon of different rhyme.
出处
《内蒙古大学学报(哲学社会科学版)》
CSSCI
北大核心
2008年第5期101-104,共4页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
关键词
异调通押
声调
韵尾
上古音
斯塔罗斯京
phase differences remand
tone
the rhyme
rhythmic tail
C. A
Starostin