摘要
中国古代悼亡文学拥有强大的生命,尤以诗、词为最。悼亡词的开山之作当属苏轼的《江城子.记梦》,尽管这首词有近千年的影响史,但它却长期被词评家所忽略,只有近百年的效果史与阐释史。该词长时间被埋没的原因,缘于该词思想的超越性、审美的超前性以及写法的独特性。直到二十世纪,随着学术界对该词在题旨、词境、风格、音调等多方面进行考察,深化了对这首词的理解,最终把它推举为"千古第一悼亡词",从而完成了"经典化"进程。
Chinese ancient memorial literature has its own powerful vitality , especially the poem and verse. JiangChengZi is taken as the first piece of memorial verse, written by Sushi , a famous writer in Song Dynasty in ancient China . Although the verse has been for about lO00 years , it has been forgotten for a long time by critics . The reason for being neglected for a long time is its idealistic transcendency , esthetic advance and peculiarity of writing . Until twenty century, people got to study this verse again in many aspects, such as leitmotif , verse ambit , style and pitch , etc. Ultimately it is elected for "the first memorial verse" and the "classicalrization" course has been complished .
出处
《鸡西大学学报(综合版)》
2008年第5期112-115,共4页
JOurnal of Jixi University:comprehensive Edition
关键词
悼亡诗
悼亡词
超越性
经典化
memorial poetry
memorial verse
transcendence
classicalrization