霸王别姬还是姬别霸王——张爱玲笔下的“男性形象”透析

Farewell to my Concubine Yuji or Farewell to my Overlord Xiangyu——The Analysis of the Masculine Images in Zhang Ailing' Novels

"五四"以来的许多女作家自觉地采取模拟男性的形式来对抗男权社会,张爱玲却丝毫没有维护父亲权威和男性传统形象的迹象。通过遗老、遗少及"时代弃儿"三代男性形象的描写,张爱玲无情地揭露了没落阶级的道德堕落与精神颓废,成功颠覆了男权话语霸权,并以此来宣泄自己的反叛与绝望,并以女性形象塑造进一步剖析了中国男权(父权)社会。

Many authoresses after the May 4th Movement spontaneously adopted the literary form of simulated masculine images to fight against the men＇ s rights society, among whom Zhang Ailing did not have any sign of the tendency to maintain the authority of fathers and the traditional masculine images. Through the vivid and interlocution descriptions of the three masculine generations from the old survival of the past age, the youth in favor of the old tradition, to the foundling of the times, Zhang Ailing pitilessly exposed the moral corruption and spirit decadence of the decaying class, and successfully overthrew the hegemony of the discourse of men＇ s rights, so as to unleash her ideas of rebellion and desperation and further anatomized the men＇s rights （fathers＇ rights） society with the feminine image.