摘要
李世相教授创作的《蒙古族风格少年钢琴组曲集》,在不失蒙古族浓郁风格的同时,也充分融入了对于现代作曲技法的理解和运用。其中第六组曲在创作手法上体现了主题乐句具有鲜明的意象性,音列或"小动机"式的非传统写作手法,和对于不协和音程的独立运用等特点。
When selecting the Collection of the Children 's Piano pieces with Mongolian style, Prof. Li Shi - xiang has both considered the keeping of Mongolian style and the understanding and using of modern composing techniques among which the sixth reflects very distinct image of the thematic music sentence, non - traditional writing of note series and " small motive" as well as the independent usage of non - consonance.
出处
《内蒙古大学艺术学院学报》
2008年第3期64-70,共7页
Journal of Art College of Inner Mongolia University
关键词
蒙古族
钢琴组曲
现代作曲技法
演奏技法
意象性
ongolian people
piano collections
modem composing techniques
performance techniques
image