池泽夏树生态小说中的可持续性发展逻辑(英文)

The Logic of Sustainability in Ikezawa Natsuki’s Ecofiction

本篇论文通过阅读池泽夏树的系列生态小说,《勇敢的新世界》(2000年)和《用光的手指触摸》(2008年),探讨如何在与全球化和环境主义的相互关系中获得一条可持续发展的文明道路。作为一位作家,池泽夏树以四海为家,先后在东京、希腊及冲绳生活过,现居法国。他有着很强的科学背景,能够以他的文化越界逻辑在各种看似矛盾的思想间探寻到可持续的边缘界面,如本土主义和全球主义、业余化和专业化、以及科技与智慧之间。论文指出,池泽夏树在其作品中以批判的眼光看待而非回避这些对立面之间存在的张力,为读者介绍了一条新的可持续性发展逻辑,从而帮助他们以崭新的生态观观察自己的日常生活。

This essay discusses a sustainable way of civilization in relation to globalization and environmentalism by examining Ikezawa Natsuki＇ s sequal ecofiction, Subarashii Shinsekai [ Brave New World, 2000 ] and Hikari no Yubi de Fureyo [ Touch with the Finger of Light, 2008 ]. As a cosmopolitan writer who has lived in Tokyo, Greece, Okinawa, and now France, with a strong scientific background, Ikezawa uses his culture-straddling logic to explore sustainable interfaces between seemingly opposing ideas such as localism and globalism, amateurism and professionalism, and technology and wisdom. I will discuss how Ikezawa＇ s literary world critically perceives, rather than avoids, the tension between such opposing forces and introduces a new logic which helps readers see their everyday lives in an ecologically refreshing way.