摘要
《梦系古巴》是古巴裔美国作家克里斯蒂娜.加西娅的代表作,也是西班牙裔美国文学中的一部经典作品。小说讲述古巴革命前后一个普通古巴家庭的离散以及一家三代人在古巴和美国历史变革中的经历。文本采用多视角、多层次的复合式叙述方式,结合政治、历史和人物命运对历史进行多角度刻画,实现了对传统单一性叙述模式和单一历史观的解构;同时作家让女性成为叙述主体,打破传统历史叙述中女性声音的缺失,实现对男性权威话语的颠覆。这两种叙述角度证明了历史的虚构性和男性权威的虚构性,同时也是美国族裔个人历史书写主体性的有力实践。
Cristina Garcia＇s Dreaming in Cuban is a masterpiece in Cuban American literature, and also a classical work in the canon of Hispanic American literature. It relates the diaspora of the three generations in a common Cuban family before and after the Cuban revolution, and their experiences in Cuba and the United States in historical upheavals. Through a multi-angle and multi-layered narrative structure to combine politics, history and human destinies, the text achieves a muhidimensional historical writing by shifting between imagination and reality. This historical narrative deconstructs traditional univocal narration and unidirectional historical discourse. Moreover, women become narrative subjects, which puts an end to the absence of woman voices in traditional historical narratives and subverting patriarchal authority. Both the positions help to prove the imaginativeness of history and patriarchy. The narrative thus functions as a forceful proof of the subjectivity of American minority individuals in historical representation.
出处
《外国文学研究》
CSSCI
北大核心
2008年第5期104-110,共7页
Foreign Literature Studies
